Bones: The Best Episode In Every Season (Part 1)

(Source:ScreenRant.com)

Season 1: The Man in the Fallout Shelter

Angela wants to celebrate Christmas, and Agent Booth’s version of a Christmas present is to give Bones a 50-year-old corpse. However, when they cut into the bones, they release a mold that causes a life-threatening disease. Everyone is quarantined in the lab until they can be sure they’re not infectious. 

The team finally learns about each other, including that Agent Booth has a son and that Dr. Brennan’s parents disappeared on Christmas Eve. They still manage to exchange handmade gifts Angela made. It’s a sweet episode, and one of the first episodes that made the show more than just its procedural roots. 

Season 2: Aliens in a Spaceship

A report of “two aliens” in a large vat ends up being the gruesome grave of two twin (human) boys, who had been missing for years. It’s again the work of a serial killer known as the Gravedigger, who kidnaps and buries his victims before asking for a huge ransom.

But the Gravedigger is another step ahead of them. He kidnaps Bones and Hodgins from the Jeffersonian parking lot, and asks for a ransom of $8 million. They aren’t found within the time allotted, but use enough tricks to save and make oxygen to survive until Booth is able to rescue them. Booth and Brennan share a moment at the end that really ratcheted up the sexual tension and the will-they-won’t-they debate. 

Season 3: The Wannabe in the Weeds

The corpse of Tommy Sour is found in a field, horribly mangled by a harvest shredder. He was a fitness instructor in a gym and an amateur singer in a nightclub; he made a lot of enemies in both places. He was also being stalked by a gym client, who Dr. Sweets evaluates and believes is absolutely capable of murder. Unfortunately, her obsession suddenly turns toward Agent Booth, with bad consequences. The team searches for the killer seemingly fruitlessly, until something strange convinces them to look in the right places. The episode is great because we see Zack and Brennan sing, as well as strong evidence of Booth’s real feelings for his partner.

Season 4: The Hero in the Hold

Dr. Jack Hodgins, Dr. Brennan, and author Thomas Vega are officially suspected of stealing FBI evidence relating to a serial killer known as the Gravedigger. To get what he wants back, the Gravedigger kidnaps Booth and threatens to let him suffocate him in a coffin within 24 hours unless the evidence in paid as ransom. Hodgins admits he has it, but wants to try to find Booth without giving up the evidence first.

Locked in the coffin, Booth hallucinates about Corporal Edward ‘Teddy’ Parker, who he failed to save in combat. Meanwhile, Booth’s brother Jared shows up to risk everything in order to get his brother back.

Season 5: The Parts in the Sum of the Whole

In the milestone 100th episode, Dr. Brennan and Agent Booth help Dr. Sweets finish his book about their partnership by telling him about their very first case together. We’re taken through flashbacks that reveal how their entangled romantic beginnings almost doomed the partnership from the start.

Booth had been brought on to a case by a mother desperate to know who murdered her daughter. Camille, who was then a coroner, suggested that Booth consult the Jeffersonian expert, Bones, who might be able to help him learn more about the crime by studying the bones. He had his doubts, but Booth comes away from the case impressed by Brennan and her team, setting the groundwork for a very successful partnership.

Season 6: The Hole in the Heart

This is one of the few episodes that opens up without an extant murder case for the team at the Jeffersonian to solve. Instead, Dr. Hodgins is helping Vincent prepare a mechanical demonstrating that compares human versus tyrannosaurus rex in a fight for a paleontology conference. 

Agent Booth is told that a sharpshooter, Jacob ‘Jake’ Broadsky, that Booth has tracked in the past has killed again. Broadsky is targeting ‘traitors,’ such as Booth and the whole Jeffersonian team. They try to figure out how the killer is targeting his victims, and Booth accidentally hands VIncent the cell phone that Broadsky is using, which ends in VIncent’s death.

Thoughts:

*Wow, these six episodes really pack a punch. From Season 1’s “Fallout Shelter” where the team really opens up and becomes closer, to special B&B bonding moments, to Brennan being kidnapped, then Booth being kidnapped….ending with B&B’s ultimate get together to end season 6.

*Do you agree with this list? Any substitutions you would make?

*What is your prediction for seasons 7-12? What would you like to see make the cut?

*I find it fascinating that we got six seasons without B&B together, and then a full six seasons with them together. I think it’s pretty cool we got to see a family develop, instead of the series finale being a wedding. The audience got to literally see B&B grow and change through 12 years of time. A lucky fandom, we are!

Why Bones Was One of the Most Interesting Love Stories on TV

https://www.vulture.com/2017/03/bones-was-one-of-the-most-interesting-love-stories-on-tv.html

Ever since it debuted on 2005 as yet another CSI lite, the series has flown under the radar of TV critics and the cultural conversation alike. It’s a breezy procedural most likely to be stumbled across while channel surfing daytime cable TV (where it seems to be in endless rotation on TNT), which means it gets no respect. And that’s a shame. Behind the technology geek-out, the horror effects played for gross-out humor, and investigations through quirky social subcultures, Bones quietly and slyly spun one of the most interesting love stories on TV.

It’s an easy show to dismiss in the age of dark dramas and long-form storytelling. World-class anthropologist Dr. Temperance Brennan (Emily Deschanel) is a genius with an over-healthy ego, no sensitivity filter, and severely limited social skills. She and her team at the prestigious Jeffersonian research authority — a fictional riff on the Smithsonian Institution — are on what seems to be permanent loan to the FBI and Special Agent Seeley Booth (David Boreanaz), former Army Ranger sniper and all-around Boy Scout with a badge and a gun. She’s an atheist who believes only in measurable evidence and logic and is suspicious of emotional responses to material situations. He’s a devoted Catholic boy who trusts his instincts, calls her science team “squints,” and masks his respect for science under flippant quips. Halfway through the first episode, they can barely stand one another, but soon evolve to grudging respect. Booth calls Brennan “Bones” first as a cheeky slight, then as an affectionate nickname, and finally a term of endearment.

Developed by creator-showrunner Hart Hanson from the books by Kathy Reichs, Bones quickly became a popular and amiable workhorse series for Fox. The practical detective with a savvy understanding of people and the scientific genius devoted to empirical evidence collaborated through each investigation and settled into an easy rhythm on an old-school episodic crime show. It’s as much workplace dramedy as detective show, playful and affectionate, and built on the chemistry of a core ensemble that has been remarkably stable over the course of 12 seasons. Meanwhile, the case-of-the-week format (with periodic story arcs sketched in the margins), remains the core of the show. It’s justice in 42 minutes.

**At its heart, though, Bones is the story of two orphans, both in their own way abandoned by their parents, and in some ways by their siblings, who create a family with one another. Brennan’s parents, activists framed for a crime and hunted by a crooked FBI agent, left her behind in their flight to protect her and her older brother, Russ. When the pressure on the teenage Russ became too much, Brennan entered the foster system. Booth’s father was an abusive alcoholic. His mother fled his beatings, and Booth took the brunt of his father’s rage to protect his younger brother, Jared, until their grandfather (Ralph Waite) took them in. None of this is apparent in the first episodes. It takes seasons for their full stories to come out.

Brennan’s response is to wall off her emotions and resist intimacy. She retreats into the objective certainty of logic and facts, struggling with her instincts when her father (Ryan O’Neal), a wanted man who will do anything to protect his children from his past, reenters her life. Booth couldn’t be more different. He hides his brilliance as an investigator behind a veneer of easygoing banter and gut instinct, ready to open his heart wide in hopes of finding love and starting a family. Booth becomes protective of this tough, brilliant woman, and Brennan finds herself trusting this man who constantly confounds and amazes her.

I didn’t really notice the series until sometime during the third season. I was taken with the characters and the concept (I’ve always liked shows where intelligence and ability is celebrated) and within a couple of months it became my comfort-food show. When feeling low or anxious, I revisited an old episode. It’s not the mysteries, the tech, or the format that I love, it’s the characters and relationships, a fizzy yet hearty combination of eccentric, optimistic personalities and easy cast chemistry. I wanted to spend time in their company — especially Brennan and Booth, the opposites who connect on a profound level.

This is not your usual romance. There is no traditional wooing, no coy flirtations or hidden glances of longing, no tormented confessions to intimate friends over conflicted feelings. This isn’t opposites fighting a sexual attraction, but a bone-deep affection and connection that builds with every season. Hanson showed admirable confidence in the series’ longevity to play this out at a pace so measured you’d barely see the evolution on a season-to-season basis, let alone episode-to-episode. It paid off. Though Bones was never a top-ten show, it topped 10 million viewers in season four and kept those viewers during the defining seasons of its love story.

Dr. Lance Sweets (John Francis Daley), who arrives in the third season as an FBI psychiatrist assigned to monitor Brennan and Booth’s partnership, nods at the sublimated attraction before they will even admit it to themselves, let alone one another. Though he pushes them to open up about their feelings, they talk about everything but. That is, until the show’s 100th episode, “The Parts in the Sum of the Whole,” a fifth-season flashback revealing that Brennan and Booth worked together once before the pilot episode in a brief partnership roiling with sexual sparks and character conflict. The memory stirs Booth to finally confront what they’ve avoided for five seasons. The response is unexpected, heartbreaking, and achingly honest. Brennan’s rejection of Booth, due to her fear of intimacy and emotional vulnerability, hangs over the show for the next season (most profoundly in “The Doctor in the Photo”) and echoes back when Booth, moving on to a new relationship, has his heart is broken by yet another rejection in season six’s “The Daredevil in the Mold.”

And then, while caught up in the heat of a case, Booth and Brennan get a second chance at love. Where so many shows lose their mojo by puncturing the will-they, won’t-they tension without charting a story beyond the sparks of anticipation, Bones skips the celebration and consummation of the couple entirely and jumps into season seven with Brennan and Booth already navigating the negotiations and compromises of cohabitation. They’re not the type to follow custom — they marry two years after having a child together — and for all the conventions of the crime procedural, the show isn’t conventional in its love story. Over the course of their six-season-long relationship, between solving crimes and battling a serial killer with a disturbing obsession with Brennan, Booth gives Brennan the encouragement to bring her compassion and generosity to the surface, and Brennan inspires Booth to be more open and honest about the anxiety he keeps locked under his old-school ideas of masculinity.

The series ends as it should — not with the obsessive killer going after Booth and/or Brennan, but with the team coming together to meet a challenge. It’s everything that makes Bones great: the collaboration between professions, the support of friends, the loyalty of a family forged in common cause. Brennan, who evolves the most throughout the series, faces the finale with a concussion that threatens everything she believes defines her: her intellect, her accomplishments, her ability to see what others miss. But watch the way Deschanel plays Brennan confronting the crisis — with anxiety and fear, sure, but also with calm and composure. She talks through her nervousness with her friends and co-workers, sharing anxieties she would have hidden a few seasons ago. This openness is a measure of how far Brennan has come in dealing with the tricky, unquantifiable realm of emotional distress, but perhaps more tellingly, it suggests that she has embraced the idea that she is more than simply her intellect and reason and professional ability. She has a full life. She cares about so much more now, and so many people care deeply about her. The final episode, titled “The End in the End,” provides a satisfying farewell to Bones, but it could just as easily be simply another milestone in a never-ending love story.

BONUS: The Love Story of Bones’ Booth and Brennan in 12 Episodes

Thoughts:

*I think the author of this article really explains the love of Bones so well. What it really was at its core, and what kept fans coming back year after year.

*Personally, I was really struck by how B&B had religion as such an important point between them. I feel like most shows don’t even mention that type of thing. But Booth’s faith was a much a part of him as Bones was in her lack of it. I found it so fascinating that a show would “go there” and so often. They even discussed things like baptism as they had children. I can’t think of another show to do something like that with the main characters.

*They make a great point how the last episode really could be just another milestone in the B&B storyline. That, if they wanted, they could round up the cast for some TV movies (like Psych has done, and now the show Monk is doing). DB has said he doesn’t like looking back into the past, so I think he would be the hardest one to convince, but I’d love to see the cast again, reuniting to solve a case! They could do a one-off, like their 200th Hollywood episode, which I adored.

Credit: Article by Vulture.com. Pics added by me 🙂

Why Bones Was the Ultimate Comfort Show

The long-running Fox procedural succeeded because it knew why fans tuned in

(https://www.tvguide.com/news/bones-ultimate-comfort-show-fox/)

The long-running Fox procedural, which played like a deeply optimistic show made by people working through a lot of cynicism, liked to tease that dramatic things could happen, but on-screen there was almost nothing that couldn’t be fixed or soothed. It was a good show for people who were tired of worrying all the time.

One of the first times I watched a full episode of BonesDavid Boreanaz‘s Booth hallucinated Stewie from Family Guy to herald in a last-minute brain tumor twist and I thought, “Maybe not.” The joke was on me; I watched all 12 seasons. Bizarre Fox tie-ins aside, Bones was chill in a way that was both infuriating and intoxicating. The show wrote out a major character at the end of Season 3 and waited a full nine years to get him out of a mental hospital for a crime he didn’t commit because the writers were sure no one watching would remember him. Bones had staggeringly low expectations that the average viewer would return week to week, which only made me want to return more. The more determined the show was to offer a casual viewing experience — a no-strings-attached, check-in-when-you-want-but-no-pressure kind of deal — the more welcome I felt to treat it as the opposite. I love to be made to feel I am exceeding expectations just by tuning in every week to watch a network procedural where people solve crimes using bones.

Aside from the spark between Booth and Brennan (Emily Deschanel) and the satisfaction of watching a bunch of take-charge ladies do science, Bones scratched the itch that every procedural does: seeing characters excel at jobs that have a purpose. They caught killers in 42 minutes. They upheld systems of justice that protected the victim and prosecuted the bad guy. (In 2019, just two years after it ended, Bones is almost old school.) But Bones took a step back from the Law & Order: SVU model by focusing on victims who were already dead, which kicked the urgency down a notch. The killers Booth and Brennan chased weren’t usually repeat offenders, so when they weren’t on the hunt for a bona fide Bones Serial Killer, future victims weren’t their big motivator. They wanted justice for justice’s sake.

​Emily Deschanel, David Boreanaz, Bones


Bones was about high stakes because it was about murder, but the main characters’ traumas were mostly in the past. Aside from a pair of very notable exceptions — Zack Addy’s (Eric Millegan) serial killer apprenticeship in Season 3 and Sweets’ (John Francis Daley) death in the Season 10 premiere — the series defiantly moved its characters toward better lives. A lot of their progress was romantic, because Bones absolutely had to Bones, but the show wasn’t so narrow as to suggest that there was just one way to be happy. Hodgins (TJ Thyne) was paralyzed halfway through the 11th season, and Bones (good on it) never gave him a miracle cure. It just gave him the time to adjust to and embrace his new life. And while the showrunners were probably right, especially in the later years, that the typical viewer wasn’t versed in the show’s history, Bones‘ respect for its characters also netted it loyal fans who returned week after week to a show they could trust not to be too upsetting.

That’s not a small thing. That sort of storytelling isn’t upheld as prestige — and, to be sure, some of the best shows are brilliant at being upsetting. No series has an obligation to cater to its fans, either. But Bones understood that it was comfort television, and it took that responsibility seriously. (The writers left 11 full minutes at the end of the series finale for the characters to, basically, hug it out.) In a Peak TV era where shock value is king, Bones lasted 12 seasons by trading buzzy twists for dependability. There should always be room for that kind of warmth.

Thoughts:

*I think there was a little bit more to Bones than “just” a comfort show…however, I do like them emphasizing that Bones was a comfort to a lot of us. It was something that we could count on over the course of 12 years, which is not an easy feat. Yes, the showrunners at times made bad decisions, but the foundation was so strong, Bones could overcome it. As well as all the times Fox moved it around! Our fanbase is strong because they never strayed to far from it’s roots, and there was some comfort in that, even with arcs, there would eventually be a resolution.

* In this day and age, I find myself going back to shows I’ve watched a million times, like Bones, The Office, The Nanny, Who’s the Boss?, etc. It’s a crazy enough world out there, and I don’t need a show to be edgy, or too scary, or too gory. I like the predictability of my comfort shows. Even if they throw in a twist or two, it is nice to know your shows will be there for you. And that, I think, is what this author is expressing.

It’s Time to Remember How Great ‘Bones’ Is, You Cowards

TV Guide does what no one else dared to do: dedicate a whole day to ‘Bones’

https://www.tvguide.com/news/features/bones-fox-anniversary/

Scientifically speaking, there’s only one show exactly like Bones, and that’s Bones. The long-running Fox procedural — which ran for 12 seasons from 2005 to 2017 — starred Emily Deschanel as brilliant forensic anthropologist Temperance Brennan and David Boreanaz as her partner, FBI special agent Seeley Booth. Bones made a name for itself as a dependable comfort watch, but it also delivered wacky pleasures like ZZ Top’s Billy Gibbons kidnapping his son-in-law, Cyndi Lauper as a psychic who also sang at weddings, and David Boreanaz hallucinating Stewie from Family Guy. No other crime drama was, or is, on its wavelength.

It’s time to put some respect on Bones‘ name. Fox’s long-running workhorse procedural kept loyal fans coming back for 12 seasons, 246 episodes, and practically every time slot in the books, and sure, plenty of people know that. But do they know why? It’s because Bones was good.

Sept. 13, 2019 marks the 14th (yes) anniversary of Bones‘ premiere, but we came here today because when you realize you want to have a Bones Day, you want that Bones Day to start as soon as possible. It’s been a little over two years since Booth (David Boreanaz), Brennan (Emily Deschanel), and the rest of the Jeffersonian team signed off. Join us in paying tribute to the show and getting the conversation going again.

Whether you were a diehard fan, you just checked in every once in a while, or you couldn’t pick a Squint out of a lineup, there’s content here for everyone; some of us watched every episode, while some of us only have only seen one. Bones Day is the great equalizer.


Emily Deschanel, David Boreanaz; Bones

Bones‘ Booth and Brennan Had One of TV’s Most Well-Earned Romances

Bones was an endearingly weird mashup of conflicting ideas trying to work in harmony, a union mirrored in its central couple: Brennan (Emily Deschanel), the liberally open-minded scientist with a clinical approach to death, and Booth (David Boreanaz), the Catholic FBI agent and former Army Ranger sniper desperate to right his “cosmic balance sheet” by catching murderers. No matter where Bones went, Booth and Brennan were always there, and although they changed along with the show, their dynamic remained the best part of it. 

​Emily Deschanel and TJ Thyne, Bones

No Bones Episode Could Ever Top Season 2’s ‘Aliens in a Spaceship’

I have stared Bones greatness in the face, and it is the emotionally tumultuous but immensely satisfying episode “Aliens in a Spaceship,” which brings home the life-or-death stakes of the characters’ work by making it personal. The story is emotionally engaging from every single angle, as everyone has something to lose, be it a partner, a romantic relationship, a friend, a coworker, or, perhaps most importantly, a future. Keep reading Kaitlin Thomas on “Aliens in a Spaceship.”

​Emily Deschanel, David Boreanaz, Bones

Why Bones Was the Ultimate Comfort Show

Bones, which played like a deeply optimistic show made by people working through a lot of cynicism, liked to tease that dramatic things could happen, but on-screen there was almost nothing that couldn’t be fixed or soothed. It was a good show for people who were tired of worrying all the time. Keep reading Kelly Connolly on how Bones embraced being a comfort show.

David Boreanaz, Emily Deschanel, Bones

I Watched the 100th Episode of Bones Without Watching the Previous 99

Before Bones Day, I had never watched an episode of Bones, despite having 246 chances to do so. So when my colleague Kelly Connolly put together Bones Day, she assigned me the 100th episode to watch and give my immediate, unfiltered reactions. I wasn’t sure how I’d be able to relate to the material, but then I remembered that I have bones, too. This is a human story that anyone who has a body full of bones will understand. Keep reading Liam Mathews on the 100th episode of Bones.

Bones

This Cursed Bones Promo Keeps Me Up at Night

There are so many things about this promo that boggle the mind, the first of which is the runtime. 92 seconds? That is way too long! And yet once I started watching, I realized it was not long enough, because I hadn’t even begun to process what I was watching by the time to video wrapped. Keep reading Sadie Gennis on a 2009 Bones promo.

​Tom Mison and Emily Deschanel, Bones

No Offense Arrowverse, but Bones and Sleepy Hollow Already Had the Greatest Crossover of All Time

There is literally no understandable reason for this crossover ever to have happened… and yet it did. Because at the end of the day, life is meaningless chaos and all we can do is find beauty in its mess. In this case, its mess is SleepyBones and its beauty is the fact that they gave absolutely zero f—s when making this crossover. Keep reading Sadie Gennis on SleepyBones.

​Emily Deschanel, Bones/Bryan Cranston, Breaking Bad

Who Said It: Bones‘ Temperance Brennan or Breaking Bad‘s Walter White?

Temperance Brennan, Bones‘ crime-solving forensic anthropologist, might not seem to have much in common with Walter White (Bryan Cranston), Breaking Bad‘s meth-cooking chemistry teacher. But the characters share a reverence for science, experience in the classroom, and a complete inability to suffer fools. If you think you’ve got what it takes to tell two of TV’s toughest teachers apart based only on their quotes, test your knowledge with this quiz. Take the quiz.

David Boreanaz, Emily Deschanel; Bones

How Well Do You Remember Bones?

The thing about Bones was that you almost never had to know anything about Bones to watch an episode of Bones. The Fox procedural went out of its way to be as accessible as possible to casual fans — but because it always seemed to be on, it was just as easy to turn into an expert on the characters. This is your chance to test just how much you retained from Bones‘ long run. Take the quiz.

Questions:

*Do you agree that “No Bones episode could ever top season 2’s Aliens in a Spaceship’? “I have stared Bones greatness in the face, and it is the emotionally tumultuous but immensely satisfying episode “Aliens in a Spaceship,” which brings home the life-or-death stakes of the characters’ work by making it personal. The story is emotionally engaging from every single angle, as everyone has something to lose, be it a partner, a romantic relationship, a friend, a coworker, or, perhaps most importantly, a future.”

*Did you take the Bones quiz? Share your results in the comments!!

Bones Actors You Might Not Know Passed Away



Television audiences dug deep each week into the science behind criminal investigations on Fox’s “Bones,” which aired from 2005 to 2017. The series starred Emily Deschanel as Dr. Temperance Brennan, a forensic anthropologist based loosely on the real-life scientist Kathy Reichs, who created the character in a series of mystery novels. Aiding Brennan — or “Bones,” as she was also known — was FBI Agent Seeley Booth (David Boreanaz), who consulted Brennan on particularly challenging cases


The pair, who were joined by a team of fellow scientists including Tamara Taylor’s forensic division chief Camille Saroyan, John Francis Daley as psychologist Lance Sweets, and Michaela Conlin as forensic artist Angela Montenegro, tackled strange and often gruesome cases throughout the program’s 246 episodes, which made it one of Fox’s longest-running dramas.

Joining the “Bones” cast as various relatives, suspects, and antagonists during that long tenure was a long list of recurring and guest players, many of whom continue to work on television and in films today. Others, however, have died in the years since their episodes aired or the series came to a conclusion. Following is a list — with spoilers — of the “Bones” actors you may not know passed away.

Heath Freeman menaced Brennan as serial killer Howard Epps


Heath Freeman played Howard Epps, the first of several diabolical serial killers with whom the team tangled throughout the series’ network run. Epps made his debut appearance on “Bones” in Season 1’s “The Man on Death Row,” where he appealed to Brennan and Booth to clear his name of murder accusations that would earn him the death penalty. The gambit was an elaborate ruse, and indicative of Epps’ perverse nature: in Season 2’s “The Blonde in the Game,” Epps directed an accomplice to continue his crimes, before escaping from prison in “The Man in the Cell” and leaving a series of clues –- and traps –- for Brennan and the team.

Actor and producer Heath Freeman played Howard Epps in all three “Bones” episodes. A graduate of New York University’s Tisch School of the Arts, he made his screen debut in a 2001 episode of “ER” and worked steadily on television throughout the 2000s, landing appearances on episodes of “NCIS” and “Without a Trace” while also enjoying a recurring role on “Raising the Bar” as public defender Gavin Dillion. In 2010, he produced and co-starred in the indie feature “Skateland.”

Freeman moved between television (“Torchwood”) and indie features for most of the 2010s and 2020s, including “The Outlaw Johnny Black” with martial arts great Michael Jai White. The latter proved to be his last completed project: the 41-year-old Freeman died of undisclosed causes in November 2021.

Eddie Hassell was a daredevil on Bones and in real life


Actor Eddie Hassell appeared in Season 6’s grisly “The Daredevil in the Mold” as a BMX rider and friend of a fellow rider found dead on the roof of a building. The role wasn’t too far from Hassell’s real-life interests, which including surfing, rodeos, and skateboarding. The latter provided him with a gateway to movie roles when he was cast as a skateboarder in television commercials.

Acting roles followed in the early 2000s, including series regular work on “Surface” and guest shots on “Studio 60 on the Sunset Strip,” “Southland,” and “Longmire.” Hassell also appeared in features like “The Kids Are All Right” as Josh Hutcherson’s friend, Clay, as well as “Jobs” with Ashton Kutcher and the US-Japanese film “Oh Lucy!” The latter was his final screen credit: Hassell, 30, was murdered outside his girlfriend’s apartment during an apparent attempted carjacking in Grand Prairie, Texas on November 1, 2020.

Heavy D was a recurring character on Bones’ first season


Rapper/songwriter-turned-actor Heavy D was a recurring cast member in Season 1 of “Bones.” The performer played Sid Shapiro, owner of Wong Fu’s, a Chinese restaurant favored by Booth, Brennan, and the forensics team. However, Sid and Wong Fu’s were phased out of the series by the second season.

Born Dwight Arrington Myers in Jamaica, Heavy D moved to New York in the early 1970s and formed Heavy D & the Boyz with three high school friends. Signed to Uptown Records by Def Jam producer Andre Herrell, the group scored a string of pop and R&B hits between 1987 and 1997, including the No. 11 single “Now That We Found Love” and the Top 10 rap single “Nuttin’ But Love.” He shared a Grammy (one of four nominations) for guesting on the 1994 Salt-N-Pepa single “None of Your Business,” recorded the theme songs for “In Living Color” and “MADtv,” and served as vice president of A&R for Uptown.

In the early 1990s, Heavy D segued into a successful second career as an actor, appearing in recurring roles on the Fox series “Roc” and “Living Single” and enjoying substantial character parts in the Eddie Murphy/Martin Lawrence comedy “Life” and “Cider House Rules.” Recurring roles on “Boston Public” and “The Tracy Morgan Show” preceded his stint on “Bones,” which he followed with parts in “Step Up” and “Tower Heist.” After collapsing at his home, Heavy D died of a pulmonary embolism at the age of 44 on November 8, 2011.

Betty White’s long list of credits includes two turns on Bones


A bona fide legend in television and feature films for more than a half-century, Betty White brought unerring comic timing to her countless appearances on television series. Her list of credits was so long that one might forget that she logged two turns on “Bones” as Dr. Beth Mayer, a forensic anthropologist who assists the team with the murder of a real estate agent in Season 11’s “The Carpals in the Coy-Wolves.” White gets plenty of signature moments in the episode, including a discussion of her long list of husbands (and their sex lives) and jokes about erectile dysfunction, while proving to have invaluable insights. Her easygoing nature and expertise leave Brennan feeling both jealous of and impressed by Mayer’s body of work.

White was a five-time Emmy winner – her first came in 1951 and her final in 2014 — a Grammy recipient, and a member of the Television Hall of Fame, thanks to her pioneering work on television as the first woman to produce a sitcom in America (her series “Life with Elizabeth”) and scene-stealing efforts on series like “The Mary Tyler Moore Show,” “The Golden Girls,” and “Hot in Cleveland.” White, who was also a vocal advocate for animal welfare and LGBTQ+ rights, remained exceptionally well-loved by TV viewers and entertainment industry peers up until her death at the age of 99 on December 31, 2021.

Waltons star Ralph Waite lent folksy charm as Booth’s grandpa


Emmy-nominated actor Ralph Waite brought considerable warmth to his three appearances on “Bones” as Booth’s grandfather, Hank, who raised him and his brother, Jared, in the absence of their alcoholic father. Hank is a kindly figure who works hard to remind Booth that though his father was a abusive figure, he still remained his father, and in Season 7’s “The Male in the Mail,” Hank provides Booth with a box containing mementoes from the few good times he had with his dad.

Waite was best known to TV audiences for two other fatherly figures — John “Pa” Walton, whom he played on eight seasons of “The Waltons,” as well as four TV-movie reunions, and Leroy Gibbs’ father, Jackson, on “NCIS.” He also appeared in TV projects ranging from “Roots” and “Carnivale” to “Grey’s Anatomy” and “The Practice,” and in such features as “Five Easy Pieces,” “The Bodyguard,” and “Cliffhanger.” Between these efforts, Waite directed a feature, “On the Nickel,” and ran for Congress in California’s 37th District on three occasions. He died at the age of 85 from agerelated illnesses on February 13, 2014.

Bones added another gruff old guy to Ed Asner’s resume


A trio of veteran acting heavyweights turned up in Season 12’s “The New Tricks in the Old Dogs.” Brought out to a retirement home after the skeleton of an elderly man is found in a barrel of sulfuric acid, Booth, Brennan, and the team discover a wealth of schemes among the residents –- including a seduce-and-steal plot involving the dead man and his pal, Rufus, who bilked the elderly women of their savings after they fell for the victim.

Playing Rufus in “Tricks” was Ed Asner, who began his career on Broadway in the early 1960s before graduating to guest roles on television series ranging from “Mission: Impossible” to “The Outer Limits.” His role on “The Mary Tyler Moore Show” as gruff news director and city newspaper editor Lou Grant elevated him to stardom and made him the most honored male actor in Emmy history with seven wins –- five for “Mary Tyler Moore” and two more for the dramatic spin-off series “Lou Grant.”

Asner worked tirelessly for more than 50 years in features and on TV, enjoying character turns in films like “JFK” and multiple appearances as Santa Claus, including a memorable performance in “Elf.” He was also a prolific voice–over actor, most notably as Carl Fredricksen in “Up,” as J. Jonah Jameson on “The Amazing Spider-Man,” and various characters on “American Dad,” “The Cleveland Show,” “Central Park,” and other animated series. A two-term president of the Screen Actors Guild and a dedicated supporter of free speech, education, and political causes, Asner died at the age of 91 on August 29, 2021.

Hal Holbrook was a senior with a secret on Bones



While Ed Asner’s character, Rufus, fleeces elderly widows in “New Tricks in the Old Dogs,” another senior schemer is up to darker deeds. Military veteran Red Hudmore is the new resident at the senior center where Brennan and Booth are investigating the death of a former client. Initially, Red serves as Rufus’s alibi by claiming that the two watched television together at the time of the murder, but as the team digs deeper, they discover that Red’s past makes him a prime suspect.

Red was played by five-time Emmy winner Hal Holbrook, who rose to fame in the late 1950s with his Tony-winning performance in his one-man play “Mark Twain Tonight!” He remained remarkably active on television and stage and in films for the next five decades, tackling supporting roles in “All the President’s Men,” “Wall Street,” “The Firm,” and “Into the Wild,” which netted him an Oscar nomination in 2017. He was also a frequent recurring performer on television, including “Designing Women” with his wife, Dixie Carter, “The West Wing,” and “Sons of Anarchy,” and starred opposite Burt Reynolds on “Evening Shade” from 1990 to 1994.

Holbrook, who received a National Humanities Medal from President George W. Bush in 2003, died at his home in Beverly Hills, California on January 23, 2021 at the age of 95.

Emmy winner Jay Thomas worked magic on Bones


Season 11’s “The Promise in the Palace” put Brennan and Booth in the world of professional magic when they investigated the death of an escape artist. Their search brought them to a club devoted to sleight of hand; overseeing the establishment was Lenny Jay, played by actor Jay Thomas.

A popular radio DJ in New York and Los Angeles during the 1970s and 1980s, Thomas segued into stand-up comedy and acting with recurring roles on “Mork and Mindy” and “Cheers,” which cast him as downtrodden former hockey goalie Eddie LeBec. He remained a popular guest player on numerous series, winning two Emmys as Candice Bergen’s love interest on “Murphy Brown” and starring in his own sitcom, “Love and War,” from 1992 to 1995. His screen roles included a part in “Mr. Holland’s Opus” and two turns as the Easter Bunny in “The Santa Claus 2” and its 2006 follow-up.

Thomas’s appearance on “Bones” was one of his last screen roles. The 69-year-old actor died of cancer on August 24, 2017 in Santa Barbara, California.

A Bones guest spot led to a series for Michael Clarke Duncan


The Season 6 episode “The Finder” introduced “Bones” watchers to Walter Sherman (Geoff Stults), a former military officer who served with Booth and had the unique ability to find anything. Aiding him in an investigation involving a dead security guard and a missing nautical map was Leo Knox, a former lawyer turned Sherman’s manager. The duo, who were featured in a pair of novels by Richard Greener, later got their own short-lived series, also titled “The Finder,” in 2012.

Michael Clarke Duncan played Leo in both the “Bones” episode and the spin-off series. Duncan began appearing in minor roles in features and on television before landing a breakout project in Michael Bay’s “Armageddon.” The exposure led to his casting as inmate John Coffey in “The Green Mile,” which netted him Oscar and Golden Globe nominations, and preceded a string of starring roles in high-profile pictures like “The Whole Nine Yards,” “Planet of the Apes,” and “Daredevil” (as The Kingpin).

Duncan’s rumbling voice was also featured in numerous animated projects, including “Kung Fu Panda,” “Green Lantern” (as Kilowog), “Teen Titans,” and “Ultimate Spider-Man.” He was only 54 when he suffered a heart attack on July 13, 2012, and died of complications from the incident on September 3 of that year.

Ron Howard’s dad Rance Howard was a suspect on Bones


Character actor Rance Howard made two appearances in Season 10 of “Bones,” playing a retired security guard with a big secret in the season opener, “The Conspiracy in the Corpse,” and its follow-up, “The Lance to the Heart.” The episodes –- which are perhaps best known as the swan song for John Francis Daley’s Lance Sweets — follow a complex government conspiracy which briefly puts Booth behind bars.

Howard was a prolific and Emmy-nominated film and television actor in a family of entertainment figures: his sons were actor/director Ron Howard and actor Clint Howard, and two of his grandchildren –- Bryce Dallas Howard and Paige Howard –- also became actors. Rance Howard began his career on stage in the late 1940s and worked steadily in features and on television for the next five decades. Among his vast number of credits were multiple collaborations with son Ron, including “Splash,” “Apollo 13,” and “Frost/Nixon,” several features by Joe Dante (“Innerspace”), “Chinatown,” “Independence Day,” “Nebraska,” and many others.

His TV credits included everything from “The Andy Griffith Show” and “Gentle Ben” with his sons to episodes of “Baywatch,” “Seinfeld,” “Babylon 5” (as Bruce Boxleitner’s father) and “The X-Files.” Howard died of heart failure at the age of 89 on November 25, 2017.

George Coe went from SNL to Bones and beyond


In Season 2’s “The Priest in the Churchyard,” a broken water main in a church cemetery disinters a number of long-buried graves, including one that appears to hold a body that was put into the ground more recently than the others. The discrepancy prompts Brennan and Booth to question the church’s priests — the veteran Father Dolan and his younger counterpart, Father Sands — to determine the identity of the mysterious corpse.

While Father Sands was played by frequent TV guest star David Burke (from the original live-action “Tick” series), George Coe played Father Dolan in “Priest.” Coe enjoyed a diverse career in films and on television and stage for more than 50 years. A Broadway veteran and frequent TV guest player, Coe was also a member of the original “Not Ready for Prime Time Players” (though frequently uncredited) on the debut season of “Saturday Night Live,” and earned a 1968 Academy Award nomination for “De Duve: The Dove,” a parody of Ingmar Bergman’s films.

Coe’s guest roles on live-action series ranged from turns on “Star Trek: The Next Generation” and “Gilmore Girls” to “The West Wing,” while his resonant voice also made him a go-to for voice acting roles, including Wheeljack in “Transformers: Dark of the Moon” and as Woodhouse on “Archer.” A longtime advocate for the Screen Actors Guild, Coe died after a long illness at the age of 86 on July 18, 2015.

Penny Marshall played herself in a Bones episode


Brennan and Booth visit Los Angeles in Season 1’s “The Woman at the Airport,” which concerns the discovery of skeletal remains near an airport in the City of Angels. While there, Brennan makes an appearance on a television news program, for which she’s joined by actor-director Penny Marshall (as herself). The latter expresses interest in adapting Brennan’s book into a feature — a neat moment of reality-becomes-TV, as “Bones” was adapted from both the novels by and the life of forensic anthropologist Kathy Reichs.

Marshall enjoyed success on both sides of the camera, first as a comic actress in series like “The Mary Tyler Moore Show,” “Happy Days,” and as one of the leads on “Laverne and Shirley,” which earned her three Golden Globe nominations. She segued into directing features with 1986’s “Jumpin’ Jack Flash,” and later scored some of the biggest hits of the late 1980s and 1990s with “Big,” “Awakenings,” “A League of Their Own,” and “Riding in Cars with Boys.” Marshall, who was diagnosed with lung cancer in 2009, died of complications from diabetes at the age of 75 on December 17, 2018.

Read More: https://www.looper.com/784770/bones-actors-you-might-not-know-passed-away/

Just for fun, a bonus Ralph Waite photo, because *hubba hubba* lol